A nonsmooth critical point theory approach to some nonlinear by Gazzola F., Radulescu V.

By Gazzola F., Radulescu V.

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In this later version, however, the Pastranas abandoned the inconvenience of a corner location on the Avenue in favor of a circular dining hall positioned beneath a great mango tree. The thundering rain upon the tin roof created the perfect atmosphere for intimacy. The Pastrana’s Mango Tree was a sort of prototype for El Jibarito Bar and Grill, a model that was necessary in order to move from breaded minute steaks with fried plantains to conch salads. According to the Elogio de la fonda, the memory of the city is unlocked in the flavors of the food.

It would appear in the foreground as something benign rising from the labyrinth of streets and plush backyards that stretch to the misty coast of the Atlantic beyond. Lending dignity to the scene, a dubious task, I would say that in these modest dwellings, on this very street, Mario Vargas Llosa wrote Conversación en La Catedral, Luis Rafael Sánchez perhaps conceived and wrote much of La guaracha del Macho Camacho, and a young dreamer completed La noche oscura del Niño Avilés. For a time, Vargas Llosa lived in the Windsor Towers Condominiums and Sánchez in Green Village.

I understood intuitively that the city of letters existed in the opposite direction from Avenida 65 de Infantería. It was necessary to walk to downtown Río Piedras, arriving by late afternoon at the acoustic shell of Convalescencia Plaza, a place of past nobility and present poverty, a place resounding with the poetic verse of Gregory Corso, Lawrence Ferlinghetti, Allen Ginsberg, and the impetuous novels of Jack Kerouac. The beat poets, with their spontaneity and aloof vision of sordid city life, were the necessary guides in my confrontation with the marginalized and dispossessed urban landscape of Río Piedras.

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A nonsmooth critical point theory approach to some nonlinear by Gazzola F., Radulescu V.
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