By Catherine Morgan
This ebook experiences the character and social functionality of Attic high-quality pottery imported to the Greek colony of Phanagoria within the Taman Peninsula, southern Russia. the 1st a part of the publication reports the heritage of analysis at Phanagoria, and offers a completely illustrated catalogue of Attic imports from the excavations of the Institute of Archaeology of the Russian Academy of Sciences (1971-1996) and latterly the collage of London. A concluding part examines imports from the town and its cemeteries within the wider context of the "Bosporan country, drawing jointly a wide choice of comparanda specially from the towns of the Taman Peninsula. through comparability of information from Athens, the northern Aegean, Ionia, and the northern Black Sea, the altering position of Attic pottery in Black Sea alternate is classified.
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Extra info for Attic Fine Pottery of the Archaic to Hellenistic Periods in Phanagoria (Colloquia Pontica)
I have, however, reservations about his reliance on Beazley, since there is a risk in using a limited but strictly deﬁned data set pertaining to production to answer questions on carriage and consumption. I would thus dispute the extent to which market knowledge should be seen as the preserve of potters rather than agents or traders (indeed, given the nature of the data obtained from Beazley, this may be a circular argument). Likewise, since the workshops and groups which form the focus of Scheffer’s study are almost all well represented at Phanagoria (as noted in Chapter 3), this should in theory be a useful starting point for assessment of the place of the Phanagoria material in wider trading patterns.
Base rays with a row of ivy leaf between bands above. Ht. 021, w. 052, th. 010. Ca. 540/530 onwards. Upper City, 1975: context unknown. Moscow, Institute of Archaeology. 7 Pls. 1, 32 Mid-body sherd of closed vessel; perhaps neck amphora. Lower edge of panel with foot of standing female ﬁgure to right; foot in added white, two incisions mark hem of robe. End of ivy tendril touches top of foot. Added red band across top of glazed lower body beneath. Ht. 023, w. 026, th. 003. 510–475. Red Line Painter or an associate (ABV, 600–607; Holmberg 1990).
Moscow, Institute of Archaeology. CATALOGUE 2 – 8 31 6 Pls. 1, 32 Probably a neck amphora. Sherd from base of wall over foot. Base rays with a row of ivy leaf between bands above. Ht. 021, w. 052, th. 010. Ca. 540/530 onwards. Upper City, 1975: context unknown. Moscow, Institute of Archaeology. 7 Pls. 1, 32 Mid-body sherd of closed vessel; perhaps neck amphora. Lower edge of panel with foot of standing female ﬁgure to right; foot in added white, two incisions mark hem of robe. End of ivy tendril touches top of foot.
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